the 1978 collaborative album from electronic music pioneers brian eno, dieter moebius and hans-joachim roedelius back on vinyl.

a collaborative piano album by hans-joachim roedelius and tim story that bridges time and space. the limited clear vinyl release includes a download code.

a collaborative piano album by hans-joachim roedelius and tim story that bridges time and space. the regular black vinyl release includes a download code.

re-release of the 1982 solo album by german electronic music pioneer hans-joachim roedelius.

a collection of piano pieces from hans-joachim roedelius on limited white vinyl, cut at 45rpm.

the essence from 2014s limited triple vinyl release tape archives condensed to one lp.

hans-joachim roedelius continues his selbstportrait series with a new album.

rätselhaft, avantgardistisch, zeitlos schön: reissue des 1982er-albums des elektronikpioniers auf 180 gramm vinyl.

atemberaubend schöne klavierfantasien: erstveröffentlichung des london-konzerts im bloomsbury theatre vom 28. juli 1985. das vinyl erscheint mit einem download-code.

exklusive 12- vinyl mit zwei exzellenten reinterpretationen von roedelius tracks von den peaking lights (domino) und hieroglyphic being (mathematics/soul jazz)

mule musiq now proudly presents eleven unreleased compositions by roedelius produced between 1990 and 2001. all of them are pearls of electronic deepness that show another side of the man that lives in the little lower austrian town baden. his famouse ultra sweet piano melodies can be heard – but they are not the centre of the productions. instead a more electronic side of his genius call the tune. with a minimalistic approach he let synth melodies highfly while some droney, melancholic atmospheres enlarge in the background.

perfekte symbiose aus elektronischen experimenten und verwehten melodien.

180g high quality vinyl album

chiffonartige etueden vom krautrock-pionier. erstveröffentlichung 1979 als sky028.

zweites musikalisches selbstporträt des cluster- und harmonia-musikers. erstveröffentlichung 1980 als sky040.

reissue: der deutsche elektroniker entdeckte 1984 seine romantische seite.

a collaborative piano album by hans-joachim roedelius and tim story that bridges time and space.

all my art is based on living not doing art. just on experiencing life in many many different aspects the musician hans-joachim roedelius explains in the marvelous bbc 4 documentation krautrock Ð the rebirth of germany.

bureau b presents silberland volume 2: the driving side of kosmische musik (1974-1984).

limited collectors box edition, including 4x 180 gram vinyl, 2 art prints and download code.

erased tapes presents an overview of the label’s 15 year history. comes on triple vinyl with download code included.

reissue of the 1971 album from kluster (hans-joachim roedelius, dieter moebius, conrad schnitzler).

pop

the second part of soul jazz records’ guide to krautrock and german electronic music gets a well deserved reissue.

bureau b invites us on an expedition to silberland, a singular span of spacetime created by germany’s sonic futurists of the seventies and eighties.

decks tipp, ltd - onyl 1 per customer

4th installment of soul jazz’ deutsche elektronische musik compilation on triple vinyl, housed in a gatefold sleeve with download code included.

following on from last year s clarinet & piano: selected works vol. 1 - which saw group listening covering ambient classics such as works by roedelius, arthur russell, brian eno and robert wyatt, the duo return with a new offering for 2019 - a sultry and smoky remake of fatima yamaha s slow-burn classic what s a girl to do backed with a double header of the durutti column songs messidor / danny.

limited edition

cool 4x12inch vinyl pack of dream house ... incl the lonplayer from ame in coloured vinyl and the both remix 12inches.

cool 4x12inch black vinyl pack of dream house ... incl the lonplayer from ame and the both remix 12inches.

auf ihrem zweiten gemeinsamen album -imagori ii- zeigen hans-joachim roedelius (harmonia, cluster) und christoph h. müller (gotan project) neue facetten ihrer zusammenarbeit. die zwölf stücke pendeln zwischen zartheit und scharfen kanten, zwischen science fiction und garten eden, lassen organische klangkörper aufkommen, die sich wieder fragmentieren, erschaffen stimmungen zwischen melancholie und euphorie, stets begleitet von jenem filmischen pathos roedelius , der ohne große gesten auskommt und vielmehr die grenzen des minimalismus auslotet. auffällig oft kommt dabei auch sprache zum einsatz, so zum beispiel in der ersten single -fractured being-, der miss kenichi alias katrin hahner ihre stimme leiht.

wieder erhältlich: das am 23. märz 1974 im penny station club in der nähe von detmold aufgenommene livekonzert der deutschen krautrocklegende harmonia, bestehend aus michael rother, dieter moebius und hans-joachim roedelius. grönland-erstveröffentlichung am 19.10.2007.

this is a debut release on vinyl for spanish based jordi navarra whose musical oeuvre stretches between “surf, hippie / space rock and crude electronic music” often different yet coated in tons of reverb and echo for “it’s final catalepsy”!
“micromundos,” needless to say for py devotees, concentrates on his cruder electronic soundscapes, incredible often ambient, drone themed pieces that on one hand dip their toes into the revered works of hans-joachim roedelius and dieter moebius, and the sky back catalogue whilst equally conjuring up a collision of spacemen 3 psych meets wire, early cabs or magazine darker more atmospheric, post punk industrial / experimental workouts.
eight abstract, kosmische fuelled pieces that act as an interesting sister release to the label’s other july offering, the more overtly “in-yr-face” synth pop themed mitra mitra lp.

for real avid fans of the cluster/eno axis, this is going to be an essential purchase! - after the release of the second longplayer -deluxe- in august 1975 harmonia went back to touring the rest of the year until roedelius, moebius and rother ended their collaboration in summer 1976. all three members started solo projects, but rejoined as harmonia in september 1976 for a short time when brian eno visited them in forst, germany for eleven days, living and recording with harmonia, before eno went on to work with david bowie. the material from -tracks and traces- is from this eleven days, and was not released until 1997 because the tapes were long considered lost - rykodisc and sony s s3 label did release nine tracks on cd only. here s the expanded re-issue for grönland records from 2009 with an excluisve new artwork for the first time on 2lp-vinyl-set!

this latest instalment in soul jazz records’ successful deutsche elektronische musik series delves deeper into the german nation’s vaults to bring a fascinating new collection that again brings together a selection of classic german electronic and rock groups, including neu!, cluster, popol vuh, la düsseldorf, agitation free, alongside a host of rare tracks by lesser known artists which includes michael bundt, bröselmaschine, dronsz, achim reichel and others. the triple vinyl release includes a download code.

available again! soul jazz records new 2018 edition of their long out of print classic first “deutsche elektronische musik – experimental german rock and electronic music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (the guardian).
featuring a stunning line-up of groups including cluster, can, faust, popol vuh, neu!, amon düül, harmonia, la düsseldorf and tangerine dream as well as a host of lesser known groups such as kollectiv, ibliss, between and many more. this new edition is fully re-mastered and features all the original artwork and tracks.
the vinyl edition is made up of two separate volume heavyweight loud gatefold double albums (now + free download codes) featuring all sleevenotes and text.

2lp gatefold vinyl+extensive spot varnish+ sticker, second album from ame, first album since 2004, featured guests: matthew herbert, gudrun gut, planningtorock, jens kuross (ex drummer ryx), roedelius. in the world of electronic dance music, ame stand apart. since 2003, the duo of frank wiedemann and kristian beyer have cut a singular path through techno, house, minimal, ambient and more with their anthemic singles and mixes. but 2018 reveals their finest achievement yet, their debut full-length album dream house. it both sounds unmistakably like Âme and unlike anything youve ever heard from the duo, an evocative home listening journey enacted after 15 years spent crafting dancefloor weapons.

following on from nick cave & warren ellis score to wind river, we are delighted to bring you more soundtrack music from the pair. the score to war machine is pressed on 2 x white coloured vinyl and housed in a deluxe heavyweight gatefold sleeve with beautiful art and stills from the film. the vinyl is cut at 45rpm for optimal audio quality!
war machine is a new netflix film, directed by david michôd and starring brad pitt, tilda swinton, and others.

this is gajek. this is 17. come in, feel free. don’t worry if you see a flute in the sink. matti gajek’s followup to his 2014 debut album restless shapes opens the floodgates to signals from a future best navigated by ear. moving through polyphonic pulses, layers of grooves and sounds, zooming in and out of ever evolving patterns of concentration and decomposition, the ten tracks of gajeks 17 are electrifyingly futuristic clubmusic true to the almost five decades old motto of berlins zodiak free arts lab: total freie musik - totally free music. paying tribute to electronic pioneers like hans-joachim roedelius and florian fricke while staying clear of historical mystification gajek revisits the abstract clarity and improvisational audacity of 1970s electronics from a perspective this is not 71. today motoric rhythms emerge and elapse from postdigital aural scapes, intense and sublime, linking the thermodynamic to the ephemeral. beyond the echoes of past utopias 17 discovers present signs for possible tomorrows.

h.takahashi, tokyo based architect and sound designer follows up his revered collection where to be? on where to now? records with raum, a full length lp suite of meditative pulse minimalism. raum draws its cues from a melting pot of closely connected yet wholly individual strands of minimalism - from the japanese minimalist works from the likes of hiroshi yoshimura and satoshi ashikawa, to masters such as erik satie and john cage, and ambient leaders brian eno and roedelius, takahashi soaks this historical influence and rings it out it through a modern filter to create a record of stillness, ethereal beauty, and transcendent energy. takahashi composes all of his music on his iphone, and this is no gimmick, rather a conscious decision which allows takahashi to constantly create on the go without the constraints of space, and for takahashi raum serves as a mediation on the relationship between sound and its environment. for takahashi this creative process feels something like an invisible phenomenon taking over & mutating these constantly changing spaces into abstract sound, creating a brief pseudo space which expresses and highlights the features of the environment for a moment in time.” although perhaps quite an abstract statement of intent, when deeply immersed into takahashi’s pieces this idea of slowly gliding through different architectural spaces is naturally conjured through the gentle repetitive pulse which runs through his work and the playful unstructured tonality of objects which weave around this forward (or upward) motion. raum was created across the city of tokyo, be it a café / park / office / road / platform / subway these pieces explore the power sound holds to emotionally enhance and mutate the listeners environment. the power of the music presented is in that which is barely there, embracing space, silence, and cyclical repetition. the music is to help us function - it s music to work to, to sleep to, to help us find a sense of space and oneness within a world that is increasingly wild and untameable.

after three years in the making, the followup to light in the attic’s game-changing i am the center box set is finally here. the microcosm: visionary music of continental europe, 1970-1986 is the first major overview of key works from cosmically-taped in artists needing little introduction — vangelis, ash ra tempel, and popol vuh — and unknown masterpieces by criminally overlooked heroes like bernard xolotl, robert julian horky and enno velthuys.

als gitarrenlegende michael rother bei einem konzert der secret machines unlängst plötzlich geisterhaft auf der bühne stand und mit den us-nachwuchskrauts sein deluxe rockte, knisterte der kleine hamburger club vor magie. das stück findet sich auf dem zweiten und letzten harmonia-album von 1975, welches nun zum zweiten remaster-schub historischer krautrock-alben gehört. -deluxe- ist ein repetitiv rockendes meisterwerk voll studiotechnisch veredelter saitenmalerien und wild pumpenden e-orgeln. dazu rufen rother, moebius und roedelius manchmal kraftwerk-hafte slogans, deren monotonie genauso hypnotisch wirkt wie die melodiemosaiken. hinreißend! parallel erscheinen in gleicher digipack-aufmachung klassiker von cluster (zuckerzeit, 1974) und os mundi (43 minuten, 1972) sowie titellose alben von electric sandwich (1972), novalis (1975) und kin ping meh (1975). zu den ersten käufern werden die secret machines gehören. garantiert.

die kooperation zwischen roedelius und müller entstand nach einer gemeinsamen konzertreihe 2012 in paris - mit weitgehend improvisierten auftritten. entstanden ist nun mit *imagori* ein album, das dem bisherigen werk beider musiker ein völlig neues kapitel hinzufügt. das album erscheint auf pink transparentem vinyl.

der englische musiker und produzent richard fearless kuratiert den vierten teil der labelserie.

drei meister ihres fachs: neo-klassik-klänge von hans-joachim roedelius, onnen bock und armin metz. die vinyl-lp erscheint inklusive cd.

hochimpressionistische electronica: reissue des albums von 1994. das wegweisende elektronikduo cluster (dieter moebius und hans-joachim roedelius) setzte im jahr 1994 das fort, was es vier jahre zuvor mit seinem comeback-album *apropos cluster* begonnen hatte. *one hour* verschmilzt über 60 minuten die besten passagen aus zwei mehrstündigen sessions.

die kunst der improvisation: liveaufnahme der deutschen elektropioniere hans-joachim roedelius, armin metz und onnen bock. pressung auf hochwertigem 180 gramm vinyl, inklusive cd-kopie des albums.

following the success and critical acclaim of our previous excursion into the spherical archives, here is the glorious second volume of unreleased orb treasures. featuring messrs fehlmann, hughes, paterson, roedelius, vin100 and youth this comes in the usual glorious malicious packaging and pressed on transparent yellow double 12 inch vinyl.